Hyperrealistic and cinematic scene in 2:3 (vertical), dreamlike horror: a person faithful to the reference image sleeps sitting on an old, worn sofa, in a dark and silent room, holding a bowl of popcorn; defenseless and vulnerable expression, gaze fixed on the flickering TV. Slight Dutch tilt (3-5°). Peeling wallpaper with bubbles and yellowish glue; sofa fabric with loose threads and old stains; discreet scratches and a crooked picture. In the foreground, the blurred lamp shade edge and empty bottle create a voyeuristic feel. To the left, behind the sofa, a blurry, shadowy figure partially emerges: a worn medium-brimmed hat, a shabby wool sweater with moss-green and dark-red stripes, aged dark pants. The head hangs, revealing half of the face with scarred burn texture in professional prosthesis/makeup (irregular relief, visible pores, discreet oily sheen; no open wounds). The right arm extends with a cracked brown leather glove and elongated metallic thimbles in a fantastical style (no blood), with micro-scratches catching cold reflections.
Lighting: Cyan-blue TV as a pulsating key light; off-frame amber lamp as a low fill light; new practical light in the background - a half-open corridor door with an amber lamp - creating a thin backlight on the hat and shoulder; Venetian blind cookie casts diagonal stripes on the wall; raking side light accentuates the relief of the scarred skin.
Atmosphere with light mist and dust catching the beams; discreet scanlines reflected on the metal and cheek.
A popcorn kernel floats with subtle motion blur. Contained teal/amber palette; fine 35mm film grain; 8K, 50mm f/1.8, short DOF, and bokeh with a slight cat's-eye effect. Abundant stains: dried red-oxide/carmine paint splatters, streaks, and brushstrokes, clearly artistic (not blood), along with halos of moisture, dry mold, rust, and coffee stains on the wallpaper, baseboard, and sofa arm. Natural, unisex posture; hands with five fingers and realistic proportions; no logos and no graphic violence.